Creative Interpretations of Lions

In these examples, the artists creatively depicted the lions to look dissimilar to an accurate scientific representation of a lion. This could have been done to change the meaning of the creatures appearance, making him seem active as in Saftleven's artworks, or with a human-like regality as in Gheyn's print.

Artworks

Blooteling Lion.jpg

Lions

Abraham Blooteling (1640-1690) after Peter Paul Rubens (1577-1640)

Etching, 14.9 x 18.7 cm

Dutch, c.1640-1690

Detroit Institute of Art

This etching is plate one of a series called Varie Leonum Icones. The two lions are circling each other, snarling with their teeth quite visible. The background is minimal, to focus on the shapes of the beasts.

This was a gift of Mrs. James E. Scripps to the musuem in 1909.

de bye Lion 2.jpg

Leeuw Zittend Bij Boom

Marcus de Bye (1639-1688) after Paulus Potter (1625-1654)

Etching, 17.5 x 22.3 cm

Dutch, 1644

Rijksmuseum

This print shows a large lion facing the viewer. His mane and skin are both loose and layer over the shape of the beast. His limbs are chunky and his claws are non threatening.

de bye Lion.jpg

Brullende Leeuw, de Staart in de Lucht

Marcus de Bye (1639-1688) after Paulus Potter (1625-1654)

Etching, 17.8 x 22.4 cm

Dutch, 1664

Rijksmuseum

This print features a lion in movement, with a raised paw, open mouth, and waving tail. The stand out part of this print however, is the lions large and glass-like eyes. Even though his mouth is open, since the lion has no outstretched claws, it does not appear violent, he almost looks joyous.

Saftleven Lion 2.jpg

Leeuw

Cornelis Saftleven (1607-1681)

Watercolor and Chalk, 21.5 x 18.6 cm

Dutch, 1626

Rijksmuseum 

This watercolor drawing shows an unnusually colored lion, facing the viewer. He is grinning, and the lifting of his paws suggest movement.

Saftleven Lion.jpg

A Lion Snarling

Cornelis Saftleven (1607-1681)

Chalk drawing, 39.5 x 32.9 cm

Dutch, c.1625-1630

J. Paul Getty Museum

This drawing is quite colorful, with the jaw and teeth of the lion being the focal point. The fur of the lion seems matted and in patches, which looks unusual. Also his eyes are flat on his head and look lifeless.

de gheyn Lion.jpg

Great Lion

Jacques de Gheyn II (1565-1629)

Engraving, 25 x 33 cm

Dutch, 1590

Harvard Art Museum

This ovular image is of a resting lion, who has a peculiar face. The lion's body appears accurate but his face has standout forehead wrinkles and seems long, like a human face. There is a Latin text around the edges of the oval.

Creative Interpretations of Lions